Janice Lee

Janice Lee is a writer, artist, editor, and curator. She is interested in the relationships between metaphors of consciousness and theoretical neuroscience, and experimental narrative. Her work can be found in Big Toe ReviewZafusyantennaesidebrowAction, YesJoyland,LuvinaEveryday Genius, elimaeBlack Warrior Review, and elsewhere. She is the author of KEROTAKIS (Dog Horn Press, 2010), a multidisciplinary exploration of cyborgs, brains, and the stakes of consciousness; and a chapbook Red Trees. She holds an MFA in Creative Writing from CalArts and currently lives in Los Angeles where she is co-editor of the online journal [out of nothing] and co-founder of the interdisciplinary arts organization Strophe.


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FINE ART LIMITED EDITION: An autopsy kit containing handcrafted surgical tools and various medical artifacts, including casts of octopi body parts in apothecary bottles. The kit is an aged wooden box with a secret compartment containing the novel printed on transparent “skin” and laid upon a bed of sand. Contains flash drive with soundtrack,Monster,” by Resident Anti-Hero. $10,000, by special order only. Contact us for information.

Janice Lee Books

DAUGHTER COVER WEB

Color Edition with Holga photographs by Rochelle Ritchie. (Click to buy book now.)

 

 

 

DAUGHTER-COVER-BW-WEB

Black and white edition. (Click cover to buy now.)

“Janice Lee is a genius.”

—Eileen Myles, author of Inferno (a poet’s novel)

SOUND: Original music by Resident Anti-Hero
THE STORY: In Daughter, a daughter/doctor encounters the dead body of an octopus in the desert, perhaps the corpse of a lost god, and through her study of his physical organs, sheds more light on her relationship with the world at large. What is it like to be a daughter? What is it like to be God?, the text asks, intuiting implications of the consciousness of God and of the hermetic vessel that is narrative itself, while  revealing the sanctity of living, the unholy holiness of strange encounters, and the hidden mysticism of language.
“Daughter is quantum.  There is a girl, there is an octopus, there is language — in minimal bursts of physical intensities, their magnitude measured in intimate discretes. Janice Lee’s prose is energy transfer of the elementary particles of the matter of language.  There is a girl, there is an octopus, there is language, understood at the infinitesimal level.  No other book ever written has entered my body and being so physically pure.  There is not distance between the state of narrative and the matter of being.  I turn the page of her body.”
—Lidia Yuknavitch, author of The Chronology of Water and Reel to Reel

“Daughter, the new volume by Janice Lee, seems to rise as intuitive quantum ascent. It is praxis of the marred, of the seemingly uneven. Janice Lee understands that writing cannot exist as narrative outcome. In Daughter there is reckoning with the cosmos as phantom, as something that does and does not exist. Energies appear by means of paradox and evaporation.”
—poet Will Alexander, author of The Sri Lankan Loxodrome

In Daughter, Janice Lee floods the body of a book with the body of a body, all its hybrid, constantly damaging and mending cells. From field to field among the pages we are subject to a brain-damaged, collide-o-scopic file of some internet-age Acker’d Frankenstein having lived to see god die; and yet still must go on walking in the deity’s corpse, inside of which the billion bodies in such image have built our huts of shit and shit inside them. “The sea is a mysterious force, but there is no sea in the desert,” she writes, prodding at the hole left in the fabric on the earth between the homes: another phantom in a field of phantoms who themselves have again died. The result is a meticulous and terrifying resurrection, a glitchy screamtext passed in dire silence to the reader the way blood passes from mother into child.

Each year in the U.S. alone hundreds of thousands of new titles are published by traditional printing methods; that is, in bulk quantities. An average of 150,000 multiplied by an average print run of 5,000, multiplied by an average of 200 pages per book equals nearly 150 Billion (150,000,000,000) pages annually, plus book covers and jackets. This situation is similar to trading robots where new ones are coming up every day. Only the authentic last while the fake and scam disappear but only after using up a lot of energy and conning several innocent people. It is important to determine which is fake and real, take bitcoin loophole and check it out at https://top10binarydemo.com/system-scam-reviews/bitcoin-loophole/

Half of these books will be returned to their publisher and destroyed or liquidated. Those that cannot be liquidated will also be destroyed.

—Blake Butler, author of There is No Year

The word “monster” derives from Latin monstrum, an aberrant occurrence, usually biological, that was taken as a sign that something was wrong within the natural order. (Wikipedia) As Janice Lee proves, the same is true for daughters. Lee’s surgical cadences and sharp fragments work here as writing will work-to force attention to detail. Which is the unnatural order of things.
—Vanessa Place, author of La Medusa and Dies: A Sentence